Leicht erreichbare Ziele in der Sächsisch-Böhmischen Schweiz. Manche Highlights sind sehr gut besucht, aber es gibt noch viele genauso schöne und weniger überlaufene Ecken. Genau dafür haben wir hier ein Mini-Lexikon mit Ausflugszielen zusammen gestellt.
I'm your new English teacher. I'll be teaching you English this year...
DAVID ALTMEJD DAVID ALTMEJD
Adapted from Alpine Cooking; Recipes and Stories from Europe's Grand Mountaintops by Meredith Erickson There are a variety of ways to make Salzburger Nockerl. This one is from the Bärenwirt Tavern in Salzburg. If you're the kind of person that likes desserts heavy on the meringue, like Île Flottante or Floating Islands, this dessert is for you. Europeans don't traditionally use vanilla extract, as Americans do, preferring to either use vanilla beans or vanilla sugar, which is sold in little packets. I do have a little jar of sugar that I stick used (rinsed and dried) vanilla beans in, which worked fine. Meredith says you can scrape the seeds from one vanilla bean into the 1/2 cup (100G) of superfine sugar and let it infuse a few days. I tried making this with pure vanilla extract, and it worked fine. Feel free to use that, or vanilla bean paste. Superfine sugar is sometimes called "baker's sugar" (in France, it's called sucre en poudre). You can make your own by whizzing granulated sugar a few times in a food processor or mini-chopper until the granules are quite fine, which'll just take a few pulses. Lastly, I skipped adding milk (1/2 cup, 125ml), which the original recipe said to pour over the jam, before topping with the meringue prior to baking. I found it a little too liquidy. Also I baked mine longer than the 9 minutes indicated by the original recipe. I don't mind runny soufflés, but mine was cooked to my liking at around the 13 to 14-minute mark.
This is a signed and numbered art print of the cover I did for "Animorphs #32: The Separation," printed on acid free, Epson matte velvet art paper. This is limited to an edition of 50, signed by the artist, David Mattingly, in silver ink and offered in 3 sizes, 8.5 x 11 inches, 13 x 19 inches and 17 x 22 inches. Each print is hand printed by the artist in his studio. I did 54 of the Animorphs covers, so if you have a favorite that you would like to have a print made of, including the cutbacks which I do not have listed, let me know and I am sure I can oblige!
An artist in his studio contemplating a moonlit street from his opened window, After Caspar David Friedrich.
This is a signed and numbered art print of the cover I did for "Animorphs #17: The Underground," printed on acid free, Epson matte velvet art paper. This is limited to an edition of 50, signed by the artist, David Mattingly, in silver ink and offered in 3 sizes, 8.5 x 11 inches, 13 x 19 inches and 17 x 22 inches. Each print is hand printed and signed by the artist in his studio.
Tuner Prize nominee David Mach's piece Die Harder, which depicts the figure of Christ screaming in agony, has been put on display at Southwark Cathedral.
This is a signed art print of the cover I did for "Animorphs #7: The Stranger," printed on acid free, Epson matte velvet art paper. This is limited to an edition of 50, signed by the artist, David Mattingly, in silver ink and offered in 3 sizes, 8.5 x 11 inches, 13 x 19 inches and 17 x 22 inches. Each print is hand printed by the artist in his studio. I did 54 of the Animorphs covers, so if you have a favorite that you would like to have a print made of, including the cutbacks which I do not have listed, let me know and I am sure I can oblige!
This is a signed and numbered art print of the cover I did for "Animorphs #14: The Unknown," printed on acid free, Epson matte velvet art paper. This is limited to an edition of 50, signed by the artist, David Mattingly, in silver ink and offered in 3 sizes, 8.5 x 11 inches, 13 x 19 inches and 17 x 22 inches. Each print is hand printed by the artist in his studio.
‘I like sausages and I like Germany,’ the Glasgow-based artist tells Oliver Milman of a 400m-long coiled sausage (called Beginning, Middle and End) he has brought to Melbourne
Exhibition dates: 3rd August – 30th September 2012 Artists: Andrew Browne, John Cato, Jo Daniell, John Delacour, Peter Elliston, Joyce Evans, Chantel Faust, Susan Fereday, Anthony Figallo, Ge…
The Magnum photographer speaks about why every emerging photographer needs a mentor, his years shooting for National Geographic, and how he maintains his vision across personal and assigned work.
This is a signed and numbered art print of the cover I did for "Animorphs #27: The Exposed," printed on acid free, Epson matte velvet art paper. This is limited to an edition of 50, signed by the artist, David Mattingly, in silver ink and offered in 3 sizes, 8.5 x 11 inches, 13 x 19 inches and 17 x 22 inches. Each print is hand printed by the artist in his studio.
This is a signed and numbered art print of the cover I did for "Animorphs #19: The Departure," printed on acid free, Epson matte velvet art paper, signed by the artist, David Mattingly, in silver ink and offered in 3 sizes, 8.5 x 11 inches, 13 x 19 inches and 17 x 22 inches. Each print is hand printed by the artist in his studio.
IG: @loxlla
This is a signed and numbered print of my cover for "Animorphs #53: The Answer,” printed on acid free, matte velvet art paper. This is limited to an edition of 50, signed by the artist, David Mattingly, in silver ink and offered in 3 sizes, 8.5 x 11 inches, 13 x 19 inches and 17 x 22 inches. Each print is hand printed by the artist in his studio. I did 54 of the Animorphs covers, so if you have a favorite that you would like to have a print made of, let me know and I am sure I can oblige!
(Part II) Consolation The First Step Awaiting Father’s Homecoming Awaiting Father’s Return – Watching The Ships Return Midday Meal – At Grandmother’s Coming From Churc…
This is a signed and numbered art print of the cover I did for "Animorphs #17: The Underground," printed on acid free, Epson matte velvet art paper. This is limited to an edition of 50, signed by the artist, David Mattingly, in silver ink and offered in 3 sizes, 8.5 x 11 inches, 13 x 19 inches and 17 x 22 inches. Each print is hand printed and signed by the artist in his studio.
Explore gemma correll's 1242 photos on Flickr!
This is a signed and numbered art print of my cover for "Animorphs #30: The Reunion," printed on acid free, matte velvet art paper. This is limited to an edition of 50, signed by the artist, David Mattingly, in silver ink and offered in 3 sizes, 8.5 x 11 inches, 13 x 19 inches and 17 x 22 inches. Each print is hand printed by the artist in his studio. I did 54 of the Animorphs covers, so if you have a favorite that you would like to have a print made of, let me know and I am sure I can oblige!
This is a signed and numbered art print of my cover for "Animorphs #22: The Solution," printed on acid free, matte velvet art paper. This is limited to an edition of 50, signed by the artist, David Mattingly, in silver ink and offered in 3 sizes, 8.5 x 11 inches, 13 x 19 inches and 17 x 22 inches. Each print is hand printed by the artist in his studio. I did 54 of the Animorphs covers, so if you have a favorite that you would like to have a print made of, let me know and I am sure I can oblige!
This is a signed and numbered art print of my cover for "Animorphs #21: The Threat," printed on acid free, matte velvet art paper. This is limited to an edition of 50, signed by the artist, David Mattingly, in silver ink and offered in 3 sizes, 8.5 x 11 inches, 13 x 19 inches and 17 x 22 inches. Each print is hand printed by the artist in his studio. I did 54 of the Animorphs covers, so if you have a favorite that you would like to have a print made of, let me know and I am sure I can oblige!
David Tennant dons a white naval uniform very similar to the one worn by Gere in An Officer And A Gentleman for his new Shakespeare play Much Ado About Nothing.
